Wednesday, November 12, 2025

Cover Reveal: Selecting The Wrong Love by E. Masson and Julie G. Henry



Selecting The Wrong Love 
The LoveWade Tale Series 
Book One
E. Masson and Julie G. Henry

Genre: Romance 
Publisher: Author E. Masson , LLC
Pre-Order: 02-20-2026
ASIN: B0FWX8GBLP
Cover Artist: Marina

Tagline: Three men. One future. A choice that will change everything.

Book Description:

Love can turn your life upside down. 

Sometimes more than once…

Just ask Amber…..

Amber thought she knew exactly what she wanted. 

She was wrong.

Medical school. Career. Success. Everything mapped out perfectly until three men walked into her life and turned her world upside down.

James crashed into her on campus and never really left. Sweet, steady, completely devoted. He became the friend she couldn't live without, even though his eyes promised so much more. But Amber had bigger plans than falling for a business major student.

Then Levi appeared like a gift from the universe. Gorgeous, brilliant, medical school's golden boy. When he chose her out of everyone else, Amber felt invincible. This was it. This was her perfect match.

One positive pregnancy test later, and Amber's carefully constructed future crumbled. Medical school could wait. Dreams could be rebuilt later. She married her prince and prepared for happily ever after.

What she got instead was a nightmare in designer clothes.

Years of trying to save a marriage that was doomed from the start left Amber broken and questioning everything. While she was busy playing the perfect wife, the perfect man had been waiting in the wings. Still single. Still hopeful. Still completely in love with the woman who'd shattered his heart.

But some chances expire. And Amber's running out of time to claim the love she was too blind to see.

Will she wake up before it's too late? 

Get your copy at Amazon and start reading to find out.  




About the Author:

Hello lovely readers! Welcome to my corner of the literary world, where fiction comes alive in all its glory! I am E. Masson, a captivating romance author with my pen dipped in dreams and a heart full of romance, I set my readers on the path of unforgettable journeys through the depths of the human heart. From whirlwind romances to slow-burning love stories, each page of my books are infused with warmth and emotion, leaving readers yearning for more.

I have a talent for creating characters you'll adore while feeling like old friends and settings that transport you to new worlds. I am here to sweep you off your feet with every word. So, get ready to rediscover the joy of falling in love with my enchanting romance novels. Welcome to the adventure!







Monday, October 20, 2025

The Chosen One’s Assistant by Kimber


The Chosen One’s Assistant 
Kimber Grey 

Genre: Epic/High Fantasy, Sword and Sorcery
Publisher: GrayWhisper Graphics Productions (
Date of Publication: 7/12/2023
ISBN: 979-8851108464
ASIN: B0C9SNG88J
Number of pages: 359
Word Count: Aprox. 98,000
Cover Artist: Kimber Grey

Tagline: Hilarious, Dark, and Epic! Everything you’d expect in a book with vampire weasels.

Book Description:

Never meet your heroes.

Outcast by every guild, starving, and left beaten and shamed in an alley, he was beyond desperate when the timeliest opportunity presented itself: The Greatest Hero of Men was in need of an assistant.

He was so eager to leave his old life behind, he didn't hesitate to accept the role of Tiberius, personal assistant to The Chosen One. The magically binding contract was signed, and the previous servant was out the door before the blood on the quill was dry. Tiberius quickly learned he was responsible for all of the hero's needs from mundane to absurdly ridiculous, and the hero himself was the most ridiculous of all. Woefully inexperienced as a quester, thrown into the hero's world of danger and debauchery, he could never have guessed how harrowing and frustrating this new position would be. Then he learned the God of Pestilence was holding a well-justified, 100-year-old grudge. Death, disease, and evil beyond any Tiberius could imagine awaited them on the path ahead, and The Chosen One had been called to stand against it.

How could Tiberius hope to survive his first campaign with the gods' champion against Trion, God of Darkness?

Amazon      Hardcover      Books2Read


Excerpt:

I returned to the room and knocked, entering at the direction of The Chosen One... who stood in front of the mirror wearing nothing but his Chosen underwear and the tyrian purple cloak wrapped around his shoulders. His chest was puffed out, and his enormous, muscular limbs flexed this way and that as he posed himself in dramatic battle postures with his famous great sword. Every inch of visible skin was hairless and glistening. He had worked up a sweat admiring himself, and I could still smell the liquor on him.

"Um..." I mumbled, wondering if I should return at a more convenient—and less embarrassing—time. Much to my chagrin, he didn't stop flexing on my account.

"Go ahead and pack," he grunted as he clenched his stomach to make all of his tightly bound abdomen muscles pop. "I'll wait for the pressed clothes." He turned to the side and threw the cloak over his shoulder so he could admire his hips and backside, casting daring glances at his tiny embroidered face on the seat of his underpinnings through the polished brass.

I was certain my own face was scarlet as I skirted past him to gather up everything and return the items to the trunks that seemed the most appropriate. The entire time I worked, he didn't break from his posturing, and I wondered if it was a form of exercise for him, or if it merely exercised his ego. My work was hastened by embarrassment, and when I was done, I silently took up the first Tome of Tiberius. I turned my back, ignoring his grunting and wheezing, and flipped to chapter 3, skimming for the most pertinent pieces of information. I needed to know how to handle The Chosen One's finances.

I quickly learned it was my duty to draw up contracts when The Chosen One agreed to take a deal, enforce the contracts, and collect the fees. It was my duty to arrange for appraisers, auctioneers, and moneychangers to convert any "spoils" of The Chosen One's labors—those that he did not keep for his personal collection—to coin. It was my duty to ensure there was sufficient coin for The Chosen One to live whatever lifestyle he chose and to fund any campaign. Incidentals incurred as a direct result of a campaign—such as bribing furious husbands—came from funds before they were deposited into a bank and Tiberius' percentage was calculated. There was a list of "lifestyle" actions that came from the bank and were not considered incidentals; "donations and women" were on that list. Thus, I assumed him throwing coins into the crowd was not an incidental, either, but came from The Chosen One's own bank holdings.

"You need to plot a course for Vevesk," The Chosen One said between poses. "They have vampire stoats."

"What," I asked, slightly startled by the break in silence. "What is a stoat?"

"I think they said it was like a long rat." He glanced over at me. "Find out. And find out how to kill it."

I stared at him until his self-admiration embarrassed me enough to look away. "You don't know how to kill them?"

"I assume I cut them up enough, they'll die," he quipped. "You need to figure out how it happened so I can stop it. Evil wizard, ancient curse, typical vampirism, that sort of thing."

"I have to learn what caused this outbreak of blood-sucking long rats?" I asked, incredulously. Surely he was jesting. That was his job.

"Chapter 2," he said, stripping off the cloak so he could better admire his shoulders.

I grimaced and turned to the second chapter in the Tome of Tiberius. This detailed how I was to conduct necessary research for a campaign and successfully translate it to The Chosen One, for him to then implement that knowledge to complete his feats of heroism. I sighed deeply. "There is no university here to hold historical works, and many of the larger temples do not have any books in them at all. I will need to visit the Wizards' Guild, the Questers' Guild, and the Scriveners' Guild," I explained.

"Go quickly," he ordered without sympathy. "We leave soon."

I gritted my teeth and rose from my chair, throwing Tiberius' quill and a stack of paper sheets into my shoulder bag. It was all but impossible to do the kind of research this would require in only a handful of hours. So, I ran.

About the Author:

Kimber was born in the arid and alien land known as southern California. She began consuming fiction from an early age, and has ever been eager to emulate the works that dramatically shaped her heart and mind as a child. She began creating short fiction and poetry in grade school, and wrote her first (laughably bad) novel in jr. high. With a grandmother who is a writer and an editor, English teachers who encouraged her budding potential, and a husband with an even greater appreciation of the written word, Kimber has never lacked support in the pursuit of her bliss.

She published her first fantasy novel Quietus in 2009, and her second Seeking Destiny in 2012. The first three books of Faiden Reborn, Kingdoms Lost, Fallen Heroes, and History Forgotten were published in 2017. She has published two anthologies and four novellas, and her work has appeared in anthologies such as Missing Pieces IV, V, and VI; The Hapless Cenloryan-The Troubadour's Inn Book I (2017 Ed.), and On Wings of Steam: Ears and Gears. The Chosen One's Assistant, published in 2023 is her most popular yet, with it's heavy fantasy tropes and sharp wit.





Thursday, October 2, 2025

Shades of Night by Floy Owens


Shades of Night
Floy Owens 

Genre: Thriller
Date of Publication: 8/24/25
ISBN: 979-8262133963 
ASIN: B0FNN9D558
Number of pages: 222 
Word Count: 48,726 words
Cover Artist: Bryan Lauer 

Tagline: A Dark Psychological Serial Killer Thriller with Shocking Twists, Dark Secrets, and a Fearless Female Lead 

Book Description: 

When a successful bookstore owner is abducted by a meticulous serial killer, she finds herself in a sterile cage designed for torture. 

But as the captor attempts to break his victim, the roles of predator and prey begin to blur. 

In a deadly psychological game where survival means becoming the greater monster, she must confront her own dark history to not only escape, but to take everything from the man who trapped her.

Amazon

Excerpt:

The room is dim, shadows casting sinister shapes as Violet hangs suspended from the ceiling beam. The air is sharp, metallic. Her upper back is pierced by two thick, curved steel hooks, twisting cruelly into her flesh, skin stretched unnaturally taut. The thick rope threaded through the hooks connects her to the beam. Blood seeps in thin rivulets down her sides, creating jagged streaks that pool at her underwear’s waistband, before dropping to the cold concrete below.

Her legs are submerged in a steel basin, the stool beneath it unsteady. The water, tainted with rust and streaks of her blood, ripples faintly. Her arms dangle, hands still bound together. Her head tilts slightly forward, chin resting against her chest. She forces each breath to remain slow, even.

Erik crouches beside a car battery, his clean, collared flannel shirt tucked into dark jeans, sleeves rolled to the elbows. He tightens the clamps on the terminals, sparks leaping at the contact.

“You know, I’ve read every page of your life.” He lifts the jumper cables, taps them together, causing a spark to ignite. “Medical files, police reports, case manager notes. Every sad word.” He shakes his head, disgust feigned, setting the cables aside momentarily. “When you have money, nothing’s off limits, it’s sick really.” He moves to the basin, adjusting it beneath her feet. “I know exactly where you’ve been, what was done to you, who did it.” Leaning in, his voice drops, almost intimate. “Nothing about you is hidden from me.”

Violet’s lips curl in a half-smile, eyes sharp despite the pain. “Then you must know how all this will end.”

Erik holds her gaze for a beat, then lowers both jumper cables into the basin. Violet’s body seizes violently, legs kicking, sending ripples through the bloody water. The jolt rips through her, every nerve set on fire. Her jaw snaps shut, teeth grinding. There’s a rush of static in her ears, then nothing but blinding white. She bites her tongue to keep from crying out. In the haze, she thinks she hears Erik counting under his breath. Her back arches against the hooks, fresh blood weeping from the wounds. The water bubbles and hisses as the current surges.

As smoke fills the Cage and the pain recedes, Violet’s awareness drifts. For Erik, each session in the Cage is a key, unlocking a different memory he has constructed from her files. He pictures another house, another set of wounds, another day when everything was already broken.

He sees it as clearly as the files he read. She would have been younger then, thinner, eyes already trained on disaster. He pictures her entering a silent house, feeling the weight of what waits inside. It is not guesswork anymore. The details are always the same.

 

***

 

Twenty-One Years Ago

 

The house door creaks open. Violet steps inside, fifteen and all sharp angles, her backpack slipping from one shoulder. She doesn’t bother fixing it. The air inside is heavy with stillness, as if the house knew what it held and decided to stop breathing.

She does not call out. The house would not answer.

Dust drapes the furniture like snow. The living room is quiet, dark in places it never used to be. A coffee mug lies on its side beside the couch, cracked and forgotten. The blinds are crooked. No breeze. No motion.

Nothing waits to greet her.

Fifteen years old. She walks into a nightmare.

She steps further in, sneakers whispering across the worn floorboards. Her eyes scan the room like she’s been here before and expects what’s coming. Maybe she does. Girls like Violet don’t walk through life with surprises. They walk through patterns.

In the center of the room, her mother hangs.

The ceiling fan turns slowly, each rotation jerking her body just enough to keep the sound going.

Creak.

Creak.

Her legs are stiff, toes pointed downward. A bruise rings her throat, buried beneath the cord. Her dress has slipped from one shoulder. Her mouth is open.

The smell is subtle: sweet rot, sour perfume.

Her mother, tangled in her own mess.

Violet doesn’t cry. She doesn’t cover her mouth or run. She just watches the sway of the body. The way the fan keeps spinning, mechanical and obedient. Then, without a word, she walks past it. No glance back.

The kitchen has its own secrets.

Her father slouches in a chair by the table, neck limp, jaw slack. A bullet hole marks the center of his forehead like a forgotten dot on a test paper. The blood beneath him has dried into maroon shadows, seeping into the wood grain.

The table is chaos. A burned spoon. A twisted tourniquet. A cheap yellow lighter.

He never cleaned up. Never thought she’d come home early.

Her mother finally snapped. Maybe she couldn’t take the guilt anymore.

Violet crouches beside the body. She looks at his hands, still dirty beneath the nails. At the way one boot stayed on while the other sits overturned by the fridge. At the stubble that never grew evenly.

She doesn’t touch him.

Maybe Daddy spent too much money on junk.

She rises again.

Moves down the hall, light as breath, like she doesn’t want to wake whatever still lives in the walls. At the end of the hallway, she lowers herself to the floor. Her back presses against the floral wallpaper, now peeling. Knees drawn tight. Arms locked around them.

She doesn’t shake.

She doesn’t blink.

Or maybe she realized her main source of income was drying up.

The older the girl got, the less she was worth. Mommy shot Daddy dead, then strung herself up.

The house is still now, except for the soft tick of a clock and the distant, endless turn of the fan.

Violet breathes evenly. Her face is blank. Not numb. Blank. Numbness implies a feeling that once existed.

This is not grief. It is recognition.

A girl walks into a house and finds herself orphaned. And somewhere inside her, she knew it was coming.

Some part of her always knew.

 

 

 


About the Author:

Floy Owens writes stories about survival, obsession, and the ways people change when pushed past their limits. The debut novel, Shades of Night, is a dark psychological thriller that dives into the mind of both captor and captive. When not writing, Owens is usually plotting the next story, fueled by strong tea and a curiosity about what makes people tick.





Friday, September 19, 2025

Why Choosing Your Setting is Important with Gail Z. Martin




Whether you’re inventing a setting for your book or using a real place, think of it as being an important full-fledged character in the story. The setting influences everything from the weather to the food to the landmarks. It helps to set the underlying vibe of the book. It shapes the characters and influences their decision-making and the way they view the world. And it’s an important way to add color and life without getting bogged down in description.

My fantasy novels all have fictional settings, but I drew on European history to create reasonably realistic worlds in which to set the stories. The locations in my modern-day books and the series I co-write with my husband, Larry N. Martin, are all based on real cities (with some artistic liberties taken). 

Times Change is set in Cleveland, a city we visited often when we lived in Northwestern Pennsylvania. Dead of Winter, another recent release in our Spells Salt and Steel series, is set in a small town in the corner of PA where we grew up. I love reconnecting with familiar places and sharing them with readers.
We’ve picked places where we’ve lived or visited for the locations because familiarity helps a lot. Then I do a lot of research into the history, legends, ghost stories, famous crimes, scandals, and landmarks. That grounds the story in a particular place, and provides great fodder for the story. People who know the area will pick up on the details and know that we did our homework, and people who aren’t from there will still sense that the fiction has connections to the real world.

We change names of people and locations and adjust identifying details for anything that is recent. That keeps us out of trouble and still lets us benefit from the inspiration. We want to make sure that the story couldn’t happen in the same way anywhere else.

Times Change
Joe Mack Shadow Council Files 
Book Five
Gail Z. Martin and Larry N. Martin

Genre: Urban Fantasy
Publisher: Falstaff Books
Date of Publication: July 23, 2025
ISBN: 979-8293995790
ASIN: B0DFDZ4S4T
Number of pages: 122
Word Count: 30,000

Cover Artist: GetCovers.com

Tagline: When you ask a god for favors, be careful what you wish for. You just might get it.

Book Description:

Joe Mack is back, solving cold cases that eluded Eliot Ness and kicking demon butt.

Josef Magarac was a brave man, a strong man, a hard-working immigrant who only wanted a better life for his family. Then he was murdered, and an ancient Slavic god brought him back to life, gave him new abilities, and a mission to protect those who can’t protect themselves. Now he's Joe Mack, immortal thanks to the Slavic god, and a champion against dark magic, demons, and things that go bump in the night.

Joe's previous collection of adventures spanned the Roaring Twenties and Prohibition. Now he's in the modern era, working with new partners and adjusting to a whole new century. But old cases have resurfaced, and demons never die. A supernatural serial killer has returned, and some of the evil Joe thought was done and dusted has returned to wreak havoc. It will take all of the supernatural abilities, wit, and will of Joe and his partners—past and present—to stop the dark forces once and for all. If they fail, it will unleash a wave of demonic vengeance, blood, and death unlike anything Cleveland has ever seen.

Times Change is a non-stop thrill ride full of paranormal action, found family, dark magic, and loyal friends.

Amazon     BN     Kobo       Apple

Excerpt 1:

I’d burned her bones, but she was back again.

And now she was pissed.

I fired my shotgun filled with salt rounds, but she vanished between when I pulled the trigger and when the shells fired. Then she materialized behind me and gave me a shove that sent me sprawling.

I’m a big guy, and thanks to a favor from a Slavic god, I’m immortal and pretty damned hard to injure. That doesn’t mean I like being tossed around by ill-tempered ghosts who have overstayed their welcome.

I rolled and came up with the shotgun locked and loaded, firing into the ghost’s midsection. That bought me a moment or two since salt fritzes ghosts’ ability to manifest, but I knew she wouldn’t be gone long.

I walked to where the tracks had been and stopped when the toe of my boot struck an old spike left from the long-ago rails. A scream reverberated through the forest. I pumped my shotgun and blasted her again before she could fully re-form. Then I set a salt circle around myself to keep her from knocking me around, dumped lighter fluid on the spike, and dropped a match on it.

People called the ghost the Lavender Lady. The stories said that she had been gathering the flowers back in the early 1900s when she was struck by a train—back before the tracks had been pulled up when trains still ran.

The town of Moonville was nothing but ruins now; the railroad was long gone, and the tunnel had fallen into disrepair, but the Lavender Lady still wandered the forest, surprising hikers and scaring thrill-seekers.

The Lady’s real name was Henrietta Austin, and while her body was found amid the flowers for which she was nicknamed, the evidence suggested foul play, covered up by the train accident story. Since the culprit was long dead, I couldn’t give Henrietta justice, but I might be able to give her peace.

But first, she would try her best to kill me.

Henrietta’s ghost hurled herself against the salt circle’s iridescent barrier, angry at fate and desperate to take it out on someone. Her corpse-pale face, marred by fury and decomposition, pressed against the scrim, and a terrible screech threatened to make my ears bleed.

“Depart from here, Henrietta Austin, and trouble the living no more,” I commanded. “Your time is long past, and your killer is dead. Let go and move on.”

The fire flared around the old rail spike, and I could see Henrietta’s spirit fading. The accelerant I’d poured on the metal stake wouldn’t melt iron, but I took the chance that flames would burn away enough of the coating to drive her off. Then I could pull the stake out of the ground, put it in the lead and iron box I’d brought, and make sure Henrietta never bothered anyone again.

Henrietta gave one last blood-curdling scream and vanished. I wasn’t foolish enough to believe her energy had dissipated that quickly after haunting these woods for a century, but perhaps she needed to recharge before attacking again.

By that time, I intended to have her anchor—the spike—out of her reach forever.


About the Authors: 

Gail Z. Martin
writes urban fantasy, epic fantasy, steampunk and more for Solaris Books, Orbit Books, Falstaff Books, SOL Publishing and Darkwind Press. Urban fantasy series include Deadly Curiosities and the Night Vigil (Sons of Darkness). Epic fantasy series include Darkhurst, the Chronicles Of The Necromancer, the Fallen Kings Cycle, the Ascendant Kingdoms Saga, and the Assassins of Landria. 

Together with Larry N. Martin, she is the co-author of Iron and Blood, Storm and Fury (both Steampunk/alternate history), the Spells Salt and Steel comedic horror series, the Roaring Twenties monster hunter Joe Mack Shadow Council series, and the Wasteland Marshals near-future post-apocalyptic series. As Morgan Brice, she writes urban fantasy MM paranormal romance, with the Witchbane, Badlands, Treasure Trail, Kings of the Mountain and Fox Hollow series. Gail is also a con-runner for ConTinual, the online, ongoing multi-genre convention that never ends.

Larry N. Martin
is the author of the new sci-fi adventure novel Salvage Rat, and the new portal fantasy series, The Splintered Crown, A Tankards and Heroes novel. He is the co-author (with Gail Z. Martin) of the Spells, Salt, and Steel: New Templar Knights series; the Steampunk series Iron and Blood; and a collection of short stories and novellas: The Storm and Fury Adventures set in the Iron and Blood universe. He is also the co-author (with Gail) of the Wasteland Marshals series and the Joe Mack - Shadow Council series from Falstaff Books.


Newsletter: http://eepurl.com/dd5XLj    












Wednesday, September 17, 2025

The Inspiration Behind Blood by K.T. Rose

 


My inspiration for this novel draws heavily from the haunting atmospheres and relentless tension of iconic films such as Salem’s Lot and 14 Days and Night. I found myself captivated by the idea of crafting a vampire thriller that goes beyond the familiar tropes—one where the central figure isn’t just a monster lurking in the shadows, but someone living subtly among us. While the protagonist outwardly embodies a devoted mother and loving wife, she secretly possessed instincts and appetites that are as chilling and precise as those of a serial killer.

This duality comes alive in Trish, the story’s enigmatic lead. Her life is full of everyday moments, but there's a mesmerizing, terrifying darkness that lurks just beneath the surface of it all. Through Trish’s close perspective, readers are invited to step inside her mind—her desires, her fears, and her internal struggle to maintain her humanity as the seductive lure of her true nature grows ever stronger. Every chapter is designed to draw you deeper into her world, forcing you to question where the boundaries lie between victim and predator, between love and survival.

In my vampire series, horror creeps into mundane, and suspense grips you by the throat. Morality is never black and white. 


Blood 
Trish Vampire Horror Series 
BookOne
K.T. Rose

Genre: thriller/ dark fiction/ horror
Publisher: Kyrobooks LLC
Date of Publication: July 1, 2025
ISBN: 978-1966857006
ASIN: B0DSVNHBY8 
Number of pages: 238
Word Count: 68000
Cover Artist: Cha

Tagline: Hunger. Desperation. Terror. A mother's love knows no bounds - neither does her appetite.

Book Description:

A vampire's existence is a delicate balance between predator and pretense. For Trish, that balance includes a loving husband, an innocent son, and a trail of bloodless corpses. When her latest hunt at Miller University goes awry, leaving a witness in its wake, her carefully maintained double life begins to crumble.

Months later, Trish sets her sights on a pure-hearted professor, but his death brings unexpected consequences. Captured by the victim's vengeful cousin and her violent friends, Trish faces a harrowing choice. She must either break free to protect her family or watch her perfect life dissolve into chaos. Can she escape before her husband, Randel, discovers the true nature of the monster he married?

Blood introduces K.T. Rose's chilling vampire horror thriller series. If you're drawn to dark supernatural tales, complex characters, and blood-chilling suspense, this story of maternal instinct versus monster nature will leave you breathless.


Chapter 1 – Chad

 

Trish wasn’t a student at Miller University. In fact, she went to Radcliffe before women were allowed to take Harvard classes. No, she was at Miller with a different purpose in mind, and it had nothing to do with studying. She was sitting in some frat boy’s dorm room—Chad was his name—with her fangs deep in his wrist, sucking on his musky skin and careful to lick up the mess of blood that ran from the wound like water leaking from a faucet. She considered the meal subpar; it was a little too sweet for her taste. Chad had certainly eaten nothing but cookies and Jello shots all day, skipping protein and salt. Luckily, human blood naturally had enough protein and salt in each sip; Chad would sustain her for a month. Lightheaded and intertwined in gluttonous bliss, her body swayed with delight as she took him in.

Chad twitched at the shoulders as he lay on the extra-long twin bed, his body limp and lacking the oxygen needed for consciousness, let alone enough to put up a fight. Trish figured that he had been about twenty-one years old. He was tall enough to play sports, and his build was fair with a little weight around his middle. His face was empty of wrinkles, young and new, and his smile was pearly. Chad had taken the time to chat her up before they headed to his room. He said something about playing an instrument and liking computers. He certainly told the truth about that, judging by the black trombone case leaning against a desk with the biggest monitors she’d ever seen sitting on top of it. The room's small size—slightly larger than a walk-in closet—made the computer look enormous. She was surprised the tiny room possessed a closet. To keep the conversation going, she pretended to be intrigued as she shared some lies about herself. She couldn’t remember if she was Julie from the accounting firm or Tiffany from the dealership. It didn’t matter. Her meals’ backstories seem to run together anyway, making it hard for her to put hobbies, jobs, and names with the faces of the corpses in her wake. As she and Chad stood toe to toe at the party downstairs, the only thing she thought of was his sweaty pores; the chemical scent of alcohol still wafted from him as he lay on his bed dying. Trish hated the smell, but it signified easy prey, like most college boys, truckers, or, in desperate times, a person down on their luck left to dig through pub and restaurant dumpsters. They were all so easy to trap and drain.

Trish caressed the edges of the lacerations on Chad’s arm with her tongue, pushing his blood to flow into her mouth as the party raged on beneath her feet. The attendees roared and chanted, yelled for more beer, and demanded someone to take their shirt off. The voices were the familiar sounds of the naïve—too drunk and high on acid or pot to notice there was a monster upstairs.

Sometimes, Trish wondered if college students’ parents bothered to teach them the basics; namely, not to bring strange women into their rooms. But, no matter how thin and pale she looked in that dark dress, men always fell for her. Her lean figure and plump lips were effective bait—irresistibly mysterious, she was told. Still, when the police found their bodies, there was always mourning and a sense of loss for someone so young and talented. Someone that human society classified as potentially important. Chad believed that hype, having told her that he was working on a chemical engineering degree and minoring in music. He was so close to graduating and living that life. As he spoke, Trish pictured him getting married to some nurse, buying a house, and having kids, because that’s what humans did. But what Chad didn’t know—a tidbit that she decided to keep to herself— was that he was doomed to become an unhappy, overworked middle manager who flirted with the idea of sticking a barrel in his mouth. She’d seen many people like him over the last one hundred and thirty-seven years. Chad was a cliché; there was nothing special about his dreams because he wouldn’t live long enough to loathe them. In fact, Chad had done Trish a favor by curing her cramps and insufferable hunger pains, and for that, she was grateful.

Chad stopped jerking, and her belly was full. She slowly withdrew her fangs, allowing blood to drip onto her lap. She used one hand to get a tight grip on his arm, forming a tourniquet. There was no pulse, just as she expected. With her free hand, she pulled the pocketknife from her leather tote, which lay against her thigh.

Trish learned a long time ago that a murder could be hidden in plain sight. By the time prey was found, their bodies would bleed out from the wrist or the neck. It could be suicide. It could be murder. The police never really knew. Even though she had to leave Chad in his bed for everyone to find, she preferred getting rid of the corpse by burying it somewhere massive like the ocean, the lake, a construction site…a dump. She’d make the authorities look for months, years, decades, then wash her hands of the situation, because if they did find the body, there was no DNA—the biological code they used to match a crime with a killer.

She pulled the blade up Chad’s wrist, along her fang marks. The knife tore his skin in half and flooded the wound with his leftover liquids. His blood had gone syrupy and thick, tempting her to lick it dry. But it was close to clotting; it would taste bitter and have all the consistency of old, clumpy cottage cheese.

Trish laid Chad’s arm on his bed and considered his pale face. He was a different person from the man she made out with and strangled before she went in for the kill. His eyelids were at half-mast and he seemed peaceful.

She unclenched his fingers and dipped them into the new gash. Then she slid the knife into his palm, staging his body.

Then she listened. She listened hard and kicked herself for not doing so sooner. She didn’t think straight, or at all, when she was hungry, and Chad seemed reserved—she was sure that his room was empty and that no one knew about the woman that he allowed upstairs. He’d even locked the door behind them. During her quick survey upon entry, she didn’t see anything. As they huffed and made out, swapped tongues and giggled, she didn’t hear anything alarming. And as she subdued him and slurped his blood, she didn’t smell anyone.

But right then was the crucial time to listen and engross herself in her environment because she was done eating. It was time to leave unnoticed because anything could happen around them. Them, meaning humans. Them, meaning blood bags. Them, meaning food…

Trish heard a young girl vomiting outside, just below the window. She imagined it smelled like cheap vodka and tapas. The boys just beneath her feet slammed shots of what smelled like pure ethanol. A girl bawled her eyes out just next door as she yelled about how someone was a horrible boyfriend.

And then Trish heard heavy breathing in the closet. The hairs on her neck rose.

 


About the Author:

K.T. Rose is a horror, thriller, supernatural, paranormal, and suspense author based in Detroit, Michigan. She shares her passion for spine-chilling stories with readers through flash fiction on her blog. Her works include Trinity of Horror, The Haunting of Gallagher Hotel, the Netted Series, and the Trish Vampire Horror and Serial Killer Thriller Series.













Monday, September 15, 2025

10 Tips for Becoming a Better Writer with Lauren Carter




1. Read.
Reading and writing goes hand in hand and there’s a reason for that. You can’t be a writer without being a reader. This does not mean you have to read dozens of books month but it will really improve your writing if you read a few here and there, both inside the genre you write and outside of that too.

2. Discover your own voice
Every writer has a voice. Something that makes their books unique. It’s your personal style, tone and/or unique spin in your stories. You may already have a voice and not realise it. But understanding your voice and what you want to convey in your books will help you and your writing in the future. 

3. Take a writing course
This could be something as big as a degree or master’s in writing or it could be a day course or even a few hours. Either way, courses can help you with inspiration but also feedback, which will help you improve your writing over time. It’ll also help you think outside the box and write something you’re not used to. 

4. Become friends with other writers
There are many reasons why being friends with other writers is a good idea, but in terms of becoming a better writer, they can help read your work and suggest how to improve. They can also blurb your work, leave reviews, and help with promotion, which in turn you can do for them. 

5. Read your work out loud (or let your computer read it for you)
You should always proofread your work several times, but I would also suggest reading it out loud or letting your computer read it aloud for you. Grammar and other spelling mistakes are easily missed when only reading your work in your head. By reading aloud, you’ll vastly improve and cut down on your editing time.

6. Set goals and/or challenges
When I say this, I don’t mean restrictive goals. I always mean goals you believe are achievable. Such as finishing your first draft within 4-6 months. You need to consider the time of year, other responsibilities in your life, and other out of the blue possibilities. As for challenges, there’s lots out there that can help you write faster or just inspire you to write a little something every day. Or, you could do what I do, which is make up your own challenges and try to get others to join. 


7. Try being both a plotter and pantser
You likely gravitate towards one already. You either heavily plan out your book, chapter by chapter, or have a rough idea of what the book is and just dive in. Either way, I recommend trying both, as while you may gravitate towards one, you may find the other way works better. 


8. Write and/or plan everyday*
This does not mean you have to sit in front of a computer or notepad every day. Sometimes, just planning in your head works wonders for your writing. What I like to do is, using my notes app on my phone, I will replay scenes from my book in my head and, if anything needs changing or improving, I’ll type a quick note for myself for when I open my book again. If you’d like to write every day, I’d recommend giving yourself a small goal so this is achievable. 


9. Only except the advice that works for you
There are hundreds of blogs out there, countless books, and interviews with writing advice. All of it is great advice, but that doesn’t necessarily mean all of it will work for you. My advice is to try everything and keep what works and ditch what doesn’t (which, in turn, means that you don’t have to accept this bit of advice I’m giving you right now!)


10. Tailor writing to fit your lifestyle
There are lots of different ways to write. There’s 5am writer’s club, there’s writing at a specific time of day, there’s writing sprints, and more. And then, there’s you, and what is going to work for you. You can, of course, choose one of the different ways to write that’s already documented out there or do what works for you. Someone people release several books a year, some only one, and some release a book every ten years – there is no set timeline. There is only your timeline. 



Lakegrave School for Young Women
Lauren Carter

Genre: Horror, Dark Academia, Historical Fiction
Date of Publication: 9th September 2025
ISBN: 9781739376444 
ASIN: B0F74BRMC3
Number of pages: 237
Word Count: 54k words
Cover Artist: Grim Poppy Designs

Tagline: Lakegrave is unlike any other school

Book Description: 

Here, we do not care where you are from or who you are. We care that you are women. And we care about your minds. 

Lakegrave is unlike any other school. Hidden in the mountains of Scotland, it only accepts one bright woman per specialist subject. With no teachers and no curriculum, the self-taught establishment offers its students the tools to expand their skillsets to then go onto being masters in their fields.

When Raven and her cousin Rowan are accepted, they are excited to refine their crafts and converse with fellow classmates.

That is until students go missing.

Some come back but they are not as they once were. Something is off about them. 
Something is misplaced.

So when fellow student Esme wants to investigate and invites Raven to join, they uncover that there’s much more to the school than they thought with chilling secrets kept tucked away in its history. But with ghosts stirring and the cohort decreasing, will any of them make it to graduation?

 

Excerpt:

There isn’t much known about Lakegrave School for Young Women due to its remote location and it being a new school, but it is the only school in the world known for its unique education style—it’s completely self-taught. There are no teachers, just one headmistress. The school only invites the best and brightest women from across the globe to study there for one year before being scouted to go on to their dream careers. This didn’t mean smart in absolutely everything but a genius in our own field.

That is the other unique thing—it also only invites one person per specialist subject.

That’s why Rowan and I were lucky enough to be accepted. Rowan is only just old enough to attend at one and twenty years of age; I, on the other hand, have two years on her. Luck was also on our side when we were encouraged to pursue different hobbies instead of the same, otherwise we wouldn’t have been accepted concurrently.

Leading up to the school, I can only make out the tops of the building as the hedge has overgrown so much. It’s as if the place has been neglected over the summer, if not over the years. Such an odd notion for a new educational establishment but, then again, it was something else before.

I reach the main gate and see a crest at the top. In the middle, there is a sprig of lavender and on each side of the shield are bees facing inward. This looks like it’s been cleaned recently.

Couldn’t say the same for the rest of the gate.

It looks like it once was black, but it is brown now due to the rust. I don’t want to touch it, so I nudge it open with my elbow and shut it again once I’m in.

It’s called a school, but it would be better off compared to a castle, just like every other boarding school that exists. The windows stretch tall and look like they are modelled after a church. Although it is a fairly new build, its appearance is like it has been designed as old-fashioned on purpose, fitting in with something from the 1600s rather than the 1800s. And it almost looks like it’s falling apart, the brickwork cracked and turning the walls into a darker colour rather than its usual sand. It is preposterously big for a school that doesn’t admit too many students. There is definitely some sort of beauty to the building but for some reason, even in the daytime, it appears a little ominous—as if the place is lifeless. It seems as though the garden has overtaken everything as greenery and moss is growing alongside the building. To the west of the school there are some greenhouses and to the east of the school is a church.

The ground crunches as I walk up to the building. There is a huge fountain which is bordered by the driveway on either side but appears not to work, and a huge statue coming out from the middle of it. I’m not that knowledgeable about Greek gods but I know it’s Aphrodite.

It seems fitting to have her standing guard over us.

I pause by the front door, already hearing voices coming from within, so I grip my violin case tighter and push the double doors inwards—letting them shut me away for the next year.


About the Author: 

Lauren (she/they) is a library assistant by day and writer by night. She is the author of WHEN THE DEMONS TAKE HOLD and YOUR DARLING DEATH. She has published several short stories including: ALIVE, JUST with The Horror Tree, THE CHILDREN OF OWL WILDS with Haunted Words Press, and THE SACRIFICES WE MAKE with Rooster Republic Press.